Its a bit different than most, but I wanted to connect the rosewood purfling lines on the front and back. I used a strip in the center of the end graft to make the connection, rather than continuing the binding all the way around, as in a traditional binding scheme. Used a razor saw, chisel and router plane to excavate the the end channel. I’d have to imagine I was done before I could have devised a fixture to route it. One of the reasons I love hand tools… the binding ledges are a different story.
The first OO is all bound. Scraped down the bindings and purfling. Still need to sand everything. The scheme I had in mind was to mirror the rosette color scheme. Pretty happy with how it came out. Overall there were very few gaps. The gaps on my first guitar(s) were bigger and virtually disappeared after a bit of work on the finish, to the point where I can barely see them (believe me, I know exactly there they are).
Working on the second flamed maple guitar. I’ll probably do the same thing? Sometimes I change things in process. Not sure what I’ll do on the third yet, but I have some ideas.